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George Henry Durrie Haying at Jones Inn oil painting


Haying at Jones Inn
Painting ID::  79907
George Henry Durrie
Haying at Jones Inn
Oil on canvas, 22 x 30 in Date 1854(1854) cjr

   
   
     

George Henry Durrie Hunter in Winter Wood oil painting


Hunter in Winter Wood
Painting ID::  83603
George Henry Durrie
Hunter in Winter Wood
Oil on canvas, 36 x 54 in Date 1860(1860) cyf

   
   
     

George Henry Durrie he Half-Way House oil painting


he Half-Way House
Painting ID::  83709
George Henry Durrie
he Half-Way House
Oil on canvas, 36 x 54 in Date 1861(1861) cyf

   
   
     

George Henry Durrie Winter Scene in New England oil painting


Winter Scene in New England
Painting ID::  83710
George Henry Durrie
Winter Scene in New England
Oil on canvas, 18 x 24 in Date 1859(1859) cyf

   
   
     

George Henry Durrie Jones Inn Winter oil painting


Jones Inn Winter
Painting ID::  83711
George Henry Durrie
Jones Inn Winter
Oil on canvas, 18 x 24 in Date 1853(1853) cyf

   
   
     

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     George Henry Durrie
     American Painter, 1820-1863,American painter. Durrie and his older brother John (1818-98) studied sporadically from 1839 to 1841 with the portrait painter Nathaniel Jocelyn. From 1840 to 1842 he was an itinerant painter in Connecticut and New Jersey, finally settling permanently in New Haven. He produced c. 300 paintings, of which the earliest were portraits (e.g. Self-portrait, 1839; Shelburne, VT, Mus.); by the early 1850s he had begun to paint the rural genre scenes and winter landscapes of New England that are considered his finest achievement. His landscapes, for example A Christmas Party (1852; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.), are characterized by the use of pale though cheerful colours and by the repeated use of certain motifs: an isolated farmhouse, a road placed diagonally leading the eye into the composition, and a hill (usually the West or East Rocks, New Haven) in the distance. By the late 1850s Durrie's reputation had started to grow, and he was exhibiting at prestigious institutions, such as the National Academy of Design. In 1861 the firm of Currier & Ives helped popularize his work by publishing prints of two of his winter landscapes,

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